It's time we abandon our fatigued approach to talk radio in the Caribbean, with its open-phones: ever-swirling vortices of ignorance, prejudice and cynicism, with banality at the core. Move away from lazy open-phone shows, avoid "today we'll talk about..." or "our topic for today is..." BANNED. Don't even mention the word 'topic' or 'subject' on air.... From now on the issue/event/personality is actually a question and is posed in the form of a question. It's what any reporter starts with; you could do worse.
Listen also to the talk radio shows I've highlighted.
Web sites: Jeremy Vine, BBC Radio 2 and LBC 97.3 FM/London.
The concept: POSE QUESTIONS as headlines for a segment as opposed to "next, we talk about diabetes." RATHER: "What would you do if you doctor says you have diabetes?" OR "Are you controlling your diabetes?" OR "Why is Diabetes killing so many Antiguans?" QUESTIONS based around the facts or seeking the truth from guests are provocative and pull listeners in; topic sentences turn listeners off.
Clicking on this PowerPoint presentation
Visit my all-time favourite current affairs shows on radio: and CBC Canada's As it Happens and BBC Radio 4's Today
By Sheila Curran Bernard · Sheila Curran Bernard is an award-winning filmmaker and consultant and the author of Documentary Storytelling: Creative Non-Fiction on Screen , now in its third edition. A teacher of screenwriting emailed me recently because he'd been asked to write a documentary. He didn't know where to start, and was trying to locate some completed scripts to study. While these might prove useful, I knew they wouldn't adequately convey the work ahead, or reveal important differences in the scripting process. How does one write a documentary? To explain: Fiction screenwriters have long borrowed documentary techniques, and documentary filmmakers rely heavily on the tools of dramatic storytelling. As I wrote in an earlier article, Documentary Storytelling: The Drama of Real Life , both groups need to worry about protagonists ...